“Perhaps in the experiences fostered by these scores, in those interstitial or microphonic phenomena, in that unusual scale, we may still make an experience of what is natural in our own bodies, what is not yet completely colonised, where neither the microphysics of power nor the structures of production have yet arrived, spaces where the body manifests itself, petitioned by music, as a force for reaction or resistance at the limit of the perceptible.”

(Juan Carlos Lores, “Toward a poetic of the minimal. Notes on the music of Carlos Bermejo”. Sibila Journal, No. 26, Pp. 53-55. January 2008, Seville.)

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